I paint in oil or acrylic on canvas. Over the years, my work has been divested of details to keep only the essential lines only for the understanding of the work.

The representation of the cube, which does not cling to any frills, is my main tool in the development of urban landscapes.

I work on two levels at once. First on a figurative level. So I attach great importance to the perspective and the adequacy of the lines, over the steps, lose some of their cold correctness.

I pay attention also to the precision of different hues found in the illuminated areas and shady ones. But I also have another look on the painting.

I build it, at the same time, like an abstract painting. I see where large masses of color who marry or gently colliding in major clashes.

Neither of these aspects has precedence over the other. Both are integral parts of the painting.